Susan Smereka glues hair into sinuous patterns and simple pathways in books and on compact cards compiled into sheaves. A language of curves and subtly-raised rivers of hair-lines replaces the writing of wind or breath with more stable forms; fluidity is
Frank Kowing's recent works include his series of ‘dark-side’ paintings and twig-sculptures, constructed of wood, twine, canvas, painted with acrylics, sealed with epoxy, giving a ceramic-like quality.